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Since a report was released on April 16, 2015 by the International Center Against Impunity in Guatemala revealing a disturbing political scandal involving high ranking political figures, Guatemala has been politically unstable. From the resignation of the vice president to the continued protests demanding the resignation of President Otto Perez Molina, Guatemala approaches one of its hardest election years. Not since the 1950’s have the various ethnic and social populations of Guatemala united for a common cause. Preliminary elections are set to be held on September 6, 2015.

The past few weeks have been extremely important for the political future of Guatemala. On April 16, 2015, the Guatemalan Public Ministry, with the help of the International Commission Against Impunity in Guatemala, unraveled one of the most shocking political scandals in the history of the country. The scandal is a multimillion-dollar scheme in which various individuals paid bribes to avoid customs duties on imports.

On Tuesday April 21, 2015in partnership with the International Center for Journalists (ICFJ), Cultural Survival began regional visits to various Indigenous community radios in Guatemala. As part of ICFJ’s Regional Initiative for Investigative Journalism in the Americas, this second phase has selected 20 Indigenous journalism projects focused on improving community radio programming to receive funding. An ICFJ trainer has been serving as a mentor and guide to the community journalists as they produce investigative radio stories.

Over the past few weeks, Guatemala has witnessed some of the worst violence against journalists in recent times. Election years are the most dangerous times for journalists in Guatemala, regardless of their political leanings. So far in 2015, three journalists have been killed, many have received threats and been assaulted, and over 10 Indigenous community leaders have been jailed.

By Asia Alsgaard

Douglas Limón (Oneida) is an artist in White Bear Lake, Minnesota who is well known for his beadwork, however, he was drawn to cradleboard construction by the birth of his youngest son Gavino. Unfortunately, he found few people who could help him. Eventually, he was able to learn from Judy Pamp while they were attending an arts festival in Saginaw, Michigan. He was able to successfully construct a cradleboard for his son and has since continued to construct cradleboards.

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