Judy

The Dream and the Reality: Tourism in Kuna Yala

At 5 a.m. every morning, in a corner of Panama's Allbrook Airport, chaos reigns in a riot of color. Kuna men and women, dressed traditionally in their bright red headdresses and intricately embroidered mola blouses, mill around, while a handful of tourists wait in line looking bewildered. At 6 a.m. the first of the small planes leaves the highrises and traffic jams of Panama City to fly over the rainforest of the Continental Divide and down the Caribbean coast. In 40 minutes, the early morning mists clear, revealing the coast below and the sea scattered with tiny islands.

A Building Full of Books

I sit in a small room near the front of the National Library building in Phnom Penh. The room is just off to the right from the main entrance to the building. It has a large window thrown open and a ceiling fan that has only one speed - it whirls with the sound of a helicopter. This room is used for processing books: new acquisitions are given the library stamp and are duly logged into the list of holdings. The listing is number coded by date and by the number of new books received that year - not by any sort of bibliographical or cataloging system. But I am getting ahead of myself.

Politics Affect Fiber Arts Development

The recent history of textile and fiber arts in Guatemala, El Salvador and Nicaragua reflect how life is changing dramatically for the people of those countries. Authorities who account for changes in the artisanry solely by citing foreign trade influence and industrialization have ignored how recurring political violence over the past 50 years has penetrated these societies and drastically altered cultural traditions.

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